Paul Loosley's Shakespeare on Film is back after its previous screening in 2008.

In season four, we will be watching the work of young directors and casts in the past 15 years, along with newer ideas and interpretations of Shakespeare's plays that have been performed countless times in many different ways. These 500-year-old plays are certainly masterpieces that no other modern plays can substitute as contemporary artists still find it intriguing to commit to Shakepeares' works in creative, imaginative and fresher ways.

After each screening, there will be a Q&A session with Paul Loosley.

FILM SCHEDULE

21 February, 3pm.
Baz Luhrmann‘s Romeo & Juliet (1996)
- Most certainly a seminal moment in Shakespeare on Film when this young Australian director brought frenetic editing, dramatic photography, TV media stylings and west coast USA gangster sensibilities to the world’s greatest love story. And en route both brought the Bard to a young MTV-weaned audience and took unknown actors and made them hugely famous. Starring Leonardo DiCaprio and Claire Danes.

28 February, 3pm.
Trevor Nunn’s Twelfth Night (1996)
- Nunn is probably the most awarded British stage director ever. Apart from being the original director of Cats and Les Miserables, his many stagings of Shakespeare have been both exciting and imaginative. So it’s only natural that, of only 3 dalliances with film, he should chose one of Shakespeare’s wittiest comedies. And in doing so draw superb performances from some of Britain’s finest acting talent. Starring Ben Kingsley and Helena Bonham-Carter

7 March, 3pm.
Oliver Parker”s Othello (1995)
- While it seems rather obvious to have a black actor playing Shakespeare’s troubled Moor, it is actually something of a rarity. In his first film Parker not only chooses Shakespeare as his subject but bravely casts a popular African American and pairs him with Britain’s master Shakespearean to create a spark-filled and
sexually charged take on the Bard’s preeminent tale of jealousy and deceit. Starring Lawrence Fishburne and Kenneth Brannagh.

14 March, 3pm.
Michael Almereyda’s Hamlet (2000)
- Another young turk; an independent filmmaker who has taken Shakespeare’s greatest tragedy and turned it on its head. Reset in 20th century New York, the Denmark Corporation operates out of the Elsinore Hotel. Images are presented on video screens, surveillance cameras, and all manner of high-tech digital
paraphernalia fill the screen. The high point being the bloodiest ever ending to Shakespeare’s bloodiest ever ending. Starring Ethan Hawk and Live Schreiber.

21 March, 3pm.
Michael Radford’s Merchant of Venice (2004)
- A more traditional approach set in the original period and place yet executed with the highest quality, contemporary photography and featuring the finest possible modern cast of British character actors, giving performances as excellent as you might expect. And quite surprisingly, led by one of America’s most recognized film stars as Shylock, the ill-used Jew, turning in a performance completely and convincingly believable. Starring Al Pacino and Jeremy Irons

28 March 3pm
Geoffrey Wright’s Macbeth (2006)
- An ultra-violent Australian take on the Scottish play. A 21st century resetting amongst the gangs of present day Melbourne. With jump cut editing, frenetic camera work, wild locations and unusual characterizations (the 3 witches as schoolgirls vandalizing graveyard is outstanding), the story remains remarkably relevant when translated from highland intrigues into a drug-fueled, criminal underworld. Starring Sam Worthington and Victoria Hill.